This expanded cinema explores the hypnotic grip of film and questions its role in shaping our memories and perceptions long after the credits roll. 　　In Undercurrent’s first-ever expanded cinema piece, performer-director HeeSue Kwon reimagines the filmic experience. The projector extends itself beyond a mechanical device: it transforms into a living entity, reanimating the collective memories of its audience. Through Kwon’s live manipulation of flickers and intervals, the cinematic apparatus gains autonomy, continuously looping and coming alive. 　　Using a reverse diffusion model, Melting Fire Iceman employs AI to portray the fluid, shifting nature of cinema’s core memories. Early films, drawn from online repositories and the Korean Film Archive, are dissolved and reimagined by AI, seemingly in an infinite cycle of rebirth. In this mesmerising process, the boundaries between memory, spectatorship and the cinematic experience are redefined.

Byeongho has always wanted to be a musician, but the harsh realities of life have forced him to prepare for a civil servant job, which is far from his passion. However, his love of music persists in his mind. When he happens to meet a homeless person, Byeongho begins to rethink his future.

The movie revolves around young composer Yeonji who lands a dream job at the prestigious Forte Studio. 　　Her joy over the position soon fades when she starts working at its isolated HQ due to the eerie atmosphere and odd behavior of her new colleagues. 　　Fiercely ambitious and competitive, she also discovers that her new boss only wants to use her as a ghostwriter rather than letting her shine in her own light.

知名综艺导演罗英石PD在YouTube上的个频道因出众的罗PD节目风格而备受大众喜爱。此次，罗PD将日常生活场景公开，以微综艺形式，为观众带来好友闲聊的家庭酒局《罗pd和认识的哥哥一起》。 演员李瑞镇作为罗PD好友代表促成了此次节目，平日里他总会来到罗PD团队的企划室，作为秘密基地，喝酒聊天，罗PD便将这样的场景公开，为观众带来明星的休闲日常。

Ji-woo is all dressed up and ready to attend Jjang-ah’s birthday party. While waiting for her personal care assistant Mi-sook, she’s notified that Mi-sook can’t make it due to another urgent matter. Unfortunately, Ji-woo, who rides a wheelchair, can’t make it to the party without assistance. In the midst of this dilemma, she happens to run into her friend Ah-ja, who is playing at a claw machine. Ji-woo persuades a seemingly unoccupied Ah-ja to fill in as her personal care assistant for the day. Will the two of them be able to arrive at Jjang-ah’s house.

The story of Sim, a two-time Olympic gold medallist wrestler who has spent his life grappling with the ground. Haunted by a monstrous floor, he reminisces, preaches and worries.

여러 직원들 사이, 유난히 바쁜 공무원 김하진 씨. 탑처럼 쌓인 우편들과 끊임없는 민원들 모두 혼자서 감당하기 버거운 양이지만 동료, 상사할 것 없이 당연하듯 그녀를 방관하고 있다. 특별히 잘못한 것도 실수한 것도 없지만 계속되는 구박과 비판들, 심지어 협박까지. 하진은 점차 왠지 모를 불안함에 잠식이 되어간다. 2019년 7월 18일, 울국 시청 공무원 김하진 씨의 이야기.

바람에도 날아갈 것 같이 연약해 보이는 원노인, 무노인(아내)를 사랑하며 의지한다. 　　모처럼만의 산책, 강변을 거닐고 꽃 밭에서 춤을 추며 즐겁고 행복한 시간을 보내던 중, 　　한 여인을 괴롭히는 불량배들을 목격하게 되고, 점점 격해지는 불량배들의 행동에 원노인의 분노가 폭발한다

Director Ryu Hyung-seok, who served as a conscripted firefighter during his mandatory military service, made a documentary about firefighters. Responding to calls from those on the edge of life and death, these modern-day heroes at the Yangsan Firestation and Ulsan Fire Headquarters are the focus of The First Responders. Without voiceover narration or interview shots, the film captures not only the team’s work and daily lives, but also their inner darkness, desires, and the difficult fate inherent in their profession. Here, the camera is not simply a tool for recording but is one of them, acting as their eyes. “Just strip away all emotion and focus on what you need to do,” one firefighter says, and the documentary mirrors this approach, moving steadily forward without being swept up by emotional waves. Yet the film inevitably reaches heart-warming moments. This documentary offers an exceptionally humanistic insight into the profession.

여고생 소영은 아무도 모르게 해야할 일이 있다. 소영은 그 일을 위해 역할대행인을 만난다.